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Dark Beats ~ Cold Waves

LIVE
TWINS (That Which Is Not Said), Atlanta -> listen
Leroy Se Meurt, Paris -> listen
Zagrebleu, Leipzig -> listen
DJ:s Enfant Terrible, Neugeborene Nachtmusik and åtåmåtån

TWINS/That Which Is Not Said is Matt Weiner who is also known for his Featureless Ghost project and of course as the head of the DKA Records label. His project TWINS is not limited to one specific style but the dominant characteristic is the synth driven sound. Other influences are various styles of dance music and a healthy dose of arty post-punk.

Leroy Se Meurt from France is a duo with a background in electronics and in punk music and this is very evident in their sound. Old school EBM is fused with fierce elektro. A true punk attitude and energy is always there, sort of in the tradition of Ich Bin. They stay away from the contemporary EBM sound with techno influences. Leroy Se Meurt choose their own stylistic path but with the same impact for the dance floor, or maybe even more impact.

Zagrebleu is a synthpunk duo from Leipzig throwing Wave, EBM, Acid, New Beat in a blender and spice it up with a pinch of Industrial and Hi-NRG.

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Tech Noir feat. Dima Kosmetika & PCL

🎹 🔥𝑻𝒆𝒄𝒉 𝑵𝒐𝒊𝒓 𝒑𝒓𝒆𝒔𝒆𝒏𝒕𝒔: 𝑫𝒊𝒎𝒂 𝑲𝒐𝒔𝒎𝒆𝒕𝒊𝒌𝒂 & 𝑷𝑪𝑳🔥 🎹

We are happy to host multitalented producer & artist 𝑫𝒊𝒎𝒂 𝑲𝒐𝒔𝒎𝒆𝒕𝒊𝒌𝒂, who delivers cream of the crop italo infused synthwave under his alias Kosmetism 🌴, while devoting himself to a more sinister synthetic approach under his alter ego moniker H A G H O R R O R 💀

PCL of Rue De La Trappe Records is widely versed in contemporary as well as tried and trusted variations of synth, italo and all congeneric variants 💾 your dancing shoes might be facing an ordeal by fire 🔥

https://soundcloud.com/kosmetism
https://soundcloud.com/pcl

𝑨𝑭𝑻𝑬𝑹𝑺𝑯𝑶𝑾 𝑬𝑺𝑪𝑨𝑳𝑨𝑻𝑰𝑶𝑵 💥
with HELLSTRYKER & M.Maserati

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Dark Beats ~ Cold Waves

LIVE Staatseinde & Dada Pogrom
DJ:s Enfant Terrible & åtåmåtån

Staatseinde NL (ET) is a Dutch synth band stripped down through the years from a real band to a pure electronic set up. With this the sound also changed, the songs have become more up-tempo, louder, more beat orientated and also darker as before at times and for sure more dance floor minded.
Listen here: https://soundcloud.com/enfantterriblenl/staatseinde-min-min

Dada Pogrom IS (Kernkrach, ååå), a tech noire synth band, originated in Québec on the eve of the fall of the Berlin Wall. This eccentric Icelandic artist thrusts a genius contemporary take on an 80s minimal retro sound. Throbbing bass and gristly rhythm will accompany a litany of the shadow.
Listen here: https://www.discogs.com/artist/225531-Dada-Pogrom

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Milk Me Presents: Noir De Maars

Paris-based project, NOIR de MAARS plays long clubbing formats. moving away from his cold-wave inspirations. A solitary reverie, built of binary attacks, thick strings and deranged samples… Back in Urban-Spree after his very first show two years ago…

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Dark Beats ~ Cold Waves

LIVE: Roberto Auser and Romance Disaster
DJ: Enfant Terrible and åtåmåtån

ROBERTO AUSER has built a name of his own with releases on Viewlexx, Pinkman and Enfant Terrible. Still he stays something like a best kept secret of the Dutch electronic music scene… this mainly due to his output which is never to be pinned to one specific genre or style… His live sets and his release have recently moved more and more into the direction of harsh pounding beats with a dark mood and industrial sounds… and even a true rave spirit… see you on the dance floor!

ROMANCE DISASTER is a Berlin based “woman-machine” live-act founded by Aga Wilk (former 77TM). The music is a blend between techno and dark electro. On stage, besides vocals, Romance Disaster uses drum machines and synthesizers, frequently changing them to make each performance special. For åtåmåtån she has released the great EP “Girls-Guns” with remixes by Millimetric and Ethan Fawkes, packed with beats, stabs and attitude.

What happens when you put together two label heads with a dark beat obsession? You get a great night of music and one hell of a party. That is what åtåmåtån and Enfant Terrible aim at with their Dark Beats ~ Cold Waves night.

This night by åtåmåtån and Enfant Terrible is a synth drive dance night, modern minded with a healthy tribute to the past, not too much looking backwards but also not moving into too much clubby techno regions, more an 80’s and 90’s vibe but also updated with nowadays dark beats.

Expect a lot of new and old EBM, elektro-wave and new beat influenced sounds. But as it is an open minded night anything with a dark beat could find its way to the floor from acid, and (early/dark) techno to elektro and industrial, as long as it’s fit for the dance floor.

ENFANT TERRIBLE is a Dutch independent record label for music and was founded in 2004. The focus is on electronic / experimental (pop) music in styles such as elektro-wave, (post-)techno and ambient. The Gooiland Elektro is known for putting out off-radar dance music and is loved by
dj’s around the world.
https://www.enfant-terrible.nl/

ÅTÅMÅTÅN is a Berlin based synth label, founded by Swedish Ella Moe. She was also part of the FlexiWave label and synth duo Colouroïd. The focus of åtåmåtån is to release limited vinyl editions made with love and a strong visual focus in tribute to the 80’s DIY scene. Hand folded, golden, risograph printed, numbered sleeve art and hand stamped or lettered labels. Sounds stretch from dark dreams to club rage.
https://atamatan.bigcartel.com/

Upcoming Dark Beats ~ Cold Waves events at Urban Spree:

September 14
Live: Dada Pogrom and Staatseinde

October 5
Live: Twins, Leroy Se Meurt and Zagrebleu



Big ‡ Brave • My Disco • Nonn

 

obnoxious ouroboros presents

⊙ BIG ‡ BRAVE ⊙
Southern Lord Records
In existence since 2012 with members Robin Wattie, Mathieu Ball and Louis-Alexandre Beauregard spread across two guitars and drums respectively, BIG|BRAVE sound many magnitudes bigger than one would suspect a trio is capable of. Anticipation gracefully helps to build up every salvo launched by the band, assaulting the eardrum with incredible precision. Their compositions increasingly more refined, juxtaposing sparse minimalism with thunderous feedback, BIG|BRAVE strives to continue pushing the limits of what heavy experimental rock can sound like while maintaining a strong interest in reaching bliss.
Somewhere between the margins of a minimal rock band, experimental outfit and drone aficionados, BIG|BRAVE strives to never belong to anyone given classification. Utilising standard « band » tools such vocals, electric guitars, drums, feedback and amplifiers, B|B explores the possibilities of what a band can sound like while constantly resisting and deconstructing the archetypal characterisations of song structure and form.
Building spectacular, inverted rock constructions that sound many magnitudes bigger than one would suspect a trio was capable of, Montreal’s BIG|BRAVE has been in existence since 2012, with members spread across two guitars and drums respectively. Unhurried and untouchable, BIG|BRAVEpossess that same valued independent spirit which pervades their local contemporaries, and is at the root of their intense and exploratory musical offerings. Their sound lulls and lurches between passages of rhythmic noise pollution and vocal led awe, using considered juxtapositions of force and restraint to warp the senses. Remarkably quiet at times, their ambiance is not one of minimalism, but of dawning, foreboding power with the need to be vented, and when the hot flushes of blighted percussion and monochromatic guitar scrapes arrive, they arrive with triumphant force.
https://bigbrave.bandcamp.com
https://www.facebook.com/bigbravemusic/?ref=br_rs
http://www.bigbrave.ca/
https://www.instagram.com/big_brave_/
https://www.southernlord.com/bands/view/big-brave

⊙ MY DISCO ⊙
Temporary Residence / Downwards Records
MY DISCO is an Australian music group that was formed between long term 2018 collaborators, Rohan Rebeiro, Benjamin Andrews, and Liam Andrews in 2003.
In 2003, MY DISCO performed their first shows in unconventional all-ages venues in Melbourne.
Late 2003 saw the release of their debut 7″ and marked their first Australian tour. The band soon became renowned for their arduous tour ethic, demonstrated in extensive tours to often far to reach destinations that included remote areas of Australia, Southeast Asia and Mexico.
The release of their debut album ‘Cancer’ in late 2006 marked a new level of emphasis on minimalism. More international and national tours were undertaken, including additional tours to the United States, New Zealand and the United Kingdom.
Their second album ‘Paradise’ was recorded in Chicago, Illinois in 2007 with Steve Albini at his studio Electrical Audio. The album is noted as the band’s most refined and minimalist release, capturing their stentorian live sound, with several songs consisting of one note, repetitive single-sentence vocals and long- sustained guitar chords. Drum patterns, although minimal, still offer dance-like, disjointed beats.
2010 saw the release of a new single called « Young », a limited edition 12″ released through Mistletone Records and re-issue through Blast First Petite, as a lead up to their third and forthcoming album.
2010 Saw the release of the band’s third and most diverse album, ‘Little Joy.’ Their first signing to NYC acclaimed label, Temporary Residence Limited.
2012 MY DISCO released another limited 12″, this time World Wide through Temporary Residence Ltd, entitled « Wrapped Coast. » The record features two extensive racks, with remixes by London’s Factory Floor, and Birmingham based noise-maker Justin Broadrick.
On International Record Store Day in 2013, the band put out a single on one of the World’s most acclaimed independent labels, Sub Pop records. It featured as the label’s 1000th release.
2014/15 saw the band put the finishing touches on their fourth studio album, entitled « Severe » and once again working with Producer and friend Cornel Wilzcek at Electric Dreams Studios in South Melbourne.
https://mydisco.bandcamp.com
https://www.facebook.com/MYDISCOMYDISCO/
https://soundcloud.com/MYDISCO
https://www.temporaryresidence.com/collections/my-disco

⊙ NONN ⊙
Fuzz Club Records
The debut from NONN was a stark collection of minimalistic post-punk that marked him as one of the most exciting outputs in the dark Scandinavian scene. After touring the record across Europe and recruiting a full band, the project is back with its second album, XVII, due for release December 7th on Fuzz Club.
Now more of a collaborative effort, with Hannes Nyling and Christian’s brother Alexander joining the fold, the new record deals in a fuller more refined sound and packs a far heftier punch. Where the self-titled debut was a restrained, minimalist affair, XVII opts for slabs of industrial electronics and hard-hitting percussion. The gloomy 80s sensibilities are still there – see the occasional Cure-esque guitars and morose gothic vocals – but on XVII, NONN turn their eyes more towards the electronic affliction of EBM and synth-punk than the polished, more-digestible post-punk that came reverberating out of the decade.
This shift in the band’s sound all boils down to having to reinvent the songs when taking them on the road following the release of their debut, which saw them tour the UK and mainland Europe and play at a number of festivals; from Liverpool Psych Fest and Fuzz Club Eindhoven to, more recently, Endless Daze in South Africa. “Since the last record we’ve been doing a lot of shows which gave us a lot of inspiration. We reworked the old songs to sound a bit fuller and more fun to play live. Having to reinvent all the sounds and instruments from the first album really inspired the direction on XVII,” Christian remarks.
It’s clear that taking the project on the road with a full-band has had a notable effect. Tracks like ‘Clear’, ‘Home’ and ‘Beyond’ see NONN shift their bleak, darkwave-inflected post-punk into something far richer. It’s still got that minimalistic feel and the ear-worm melodies are still there, but it’s more sinister and fleshed out. Though, what truly sets this album apart from the debut is where the band have delved deeper into their electronic side. The industrial stomp of album-opener ‘Pray’ declares the LP’s merciless intent without a guitar in sight; it’s a destructive cut of throbbing synths and desolate drum machine, underpinned by Christian’s monotonous vocals. Partner that with the sparse, haunting electronics of ‘Believe’ and the mechanical synth-punk of ‘Hide’ and it’s clear that NONN are at their best when truly embracing their deeply-cherished Moog Sub Phatty, using it to exorcise the many demons lurking beneath the noise.
https://fuzzclub.bandcamp.com/album/xvii
https://soundcloud.com/nonnband
https://www.facebook.com/nonnband

presale (in 3 simple steps):
1. send 15€ per person to obnoxiousouroboros@googlemail.com via paypal (AS FRIENDS!)
2. include the date of the show and the full name of each ticket purchaser as written on the ID and print the paypal transaction
3. you can then enter the show by just showing the printed paypal transaction and your ID at the door
18€ at the door

presale ends thursday may 16th 6pm.
limited to 250 spots!
18€ at the door

spread the gospel, invite your grannies & join the madness

⊙ smash racism, sexism, genderism, homophobia, nationalism, fascism, drugism, religionism, lookism, borders (on the maps & in the minds), genres, scenes, image, trend, hype & any other brainwashit ⊙

 

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